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      <image:title>WORK - Oxford #1</image:title>
      <image:caption>Down the small alleyways of Oxford I never know what I'm going to find. On this occasion I came across a wall with probably years worth of posters haphazardly glued onto of one another. Many had been partially ripped off and another glued on top in its place. I spent longer than I care to mention staring at these posters, to the bemusement of passers-by, figuring out a composition to include not just the varying colours but also an element of order. I settled on this composition where it seemed all the posters converged into the middle of the frame. A lesson to myself to keep an eye out for photographs in the strangest of places. _________________ 45cm x 35cm = £245.00 70cm x 55cm = £350.00 100cm x 80cm = £695.00 130cm x 100cm = £975.00 _________________ Printed on museum quality Hahnemuhle fine-art paper. Each limited edition photograph has a run of 30 editions. _________________</image:caption>
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      <image:title>WORK - Porsche #1</image:title>
      <image:caption>A close-up of a classic Porsche 911 mid-restoration, illustrating its past paint colours over its lifetime. ________________ 45cm x 35cm = £245.00 70cm x 55cm = £350.00 100cm x 80cm = £695.00 130cm x 100cm = £975.00 _________________ Printed on museum quality Hahnemuhle fine-art paper. Each limited edition photograph has a run of 30 editions.</image:caption>
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    <loc>https://www.jeaphotography.com/home-page</loc>
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    <lastmod>2021-11-17</lastmod>
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    <loc>https://www.jeaphotography.com/about</loc>
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    <lastmod>2021-05-05</lastmod>
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      <image:title>About - About me</image:title>
      <image:caption>John Alexander is a fine-art photographer known for composing abstract patterns from distressed surfaces encountered on his travels.  'There is something really fascinating about how a surface reacts the environmental conditions over its lifetime. My subject will always have its own complex history. Part of the fun is that the stories of how the textures evolved are mostly unknown. We can use our imaginations to conjure our own meaning behind the specific colours, shapes, lines and cracks within the photograph. I’m always interested to hear what people see in the images, everyone sees something different. ‘Producing my textures is more photographically challenging than you might think! It is not just a case of seeing a wall and then photographing it. I adopt many photographic techniques to ensure that my subject possesses the incredible detail and sharpness that makes the print so unique, even when printed a metre wide.</image:caption>
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    <lastmod>2018-06-05</lastmod>
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    <lastmod>2021-06-03</lastmod>
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    <lastmod>2021-04-27</lastmod>
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